Difference between revisions of "Juanita"

Standing in at 6'0 and athletic in build, Juanita appears to be a normal woman in her early 30s with the following exception, her skin is perfectly smooth and devoid of blemishes besides several scars covering certain areas of her body, her hair being thin, fine, and devoid of melanin, and her eyes glowing with a soft blue color.

Few historical records of Juanita's existence older than two centuries survive into the Champions Era, but those that do seem to corroborate the story of her life as she tells it, the following information is mostly OOC with select members of PRIMUS, UNTIL, and the Trismegistus Council having knowledge of bits or sections of it, depending on however much Juanita saw fit to share with others.

The Age of Reason - 1500 to 1650

The age of visionaries and intellectuals such as Leonardo da Vinci and Galileo Galilei and the end of the dark ages, the 16th century was a major stepping stone in western history, those were the days of exploration and muskets, of reason and science. Fittingly, by the start of the fifteen hundreds magic had largely faded away, especially from civilized regions, the dragons and witches of the dark ages having faded fully into folklore, magic rare as tribal shamans and heathen intellectuals become the only mystics still existing in an ever increasingly scientific world.

Juanita's story begins in the summer of 1537 on the streets of Barcelona, it is an early August night and Antonio Gula -the heir of a rich and influential nobleman- has had one too many drinks that night in celebration of his brother's return from Italy; stumbling through the streets with a group of three equally inebriated friends he stumbled upon a young beggar girl by the name of Maria -roughly fourteen to fifteen years of age- sleeping alone on the cold cobblestone street.

"Hold her down, you idiots!"

As with many things in the universe, there are many aspects that determine a man's nature, be they upbringing, genetics, tragedy, entitlement, no two humans are identical, but there will always be men that are alike -heroes, villains, scoundrels, scholars- that will gather with the like-minded, for better or for worse.

Antonio Gula and his friends lived affluent lives, raised in luxury and wealth, they were taught from a young age that they were above the common folk and the rabble, and thus, they had no qualms with what they were about to do next; without wasting too much time, and without thinking too hard, Antonio kicked Maria awake before telling the other three men to hold her down as she panicked, before proceeding to strip her on the cold pavement as he began brutally raping her.

"Mare, I'm hungry..."

April the 7th, 1538, nine months after the traumatic conception Maria finally gives birth to a perfectly healthy daughter, her eyes a beautiful green shade and her health unusual given the environment and the mother's nutrition; she names the girl Juanita, after her own mother, spending the next five years raising her through the pains and hardships of beggary. Those first years of Juanita's life were relatively normal, or as normal as a beggar's life can be, that is, learning to survive in the streets on the kindness of others and on what little knowledge her mother could share, her life stuck to this status quo.

"Having been found guilty of witchcraft and of consorting with the Devil, we have decided that your sin shall be cleansed from you on the morrow in the name of The Father, The Son, and The Holy Spirit."

March 12th, 1543, as fate had it, or through sheer unluck, Maria encounters Antonio again in the middle of a large public area and begins throwing accusations and insults at him, invoking the Devil's name without any restraint and cursing him to hell. (Not a magical curse, but rather merely declaring that she wishes him to burn in Hell) The next few days Antonio becomes the center of a rumor mill amongst the bourgeoisie and aristocracy; from a desire of vengeance and through the use of connections, Antonio has Maria accused of witchcraft.

March 16th, guards chase down and capture Maria under officials orders from Bishop Joan de Cardona, orphaning Juanita as she flees into the sewers, left with nothing but her mother's old necklace and the clothes on her back she is found two days later by the famed wererat thief known simply as Enrique -leader of the Barcelona thieves guild- and taking pitty on the girl, he takes her under his care, bringing her to live with him amongst the thieves, spending the next seven years of her life learning the fingersmith's trade.

"You have to make sure he's distracted, pajarita, only then can you steal his pocket."

Seven years of training mold Juanita into a skilled pickpocket and sneak, Miguel imparting onto her the tricks of the trade as she becomes like a daughter to him, hoping that she may one day become his successor, much to the annoyance of those within the guild that wanted the position for themselves, Miguel usually kept such men in place and has had to deal with more than one overzealous member that thought they could usurp his control, one such man being a man known simply as Suarez, a shrewd and untrustworthy man, he tried stealing power from Enrique through the use of brute force and Enrique took his right hand for it, but let him live, turning him into a walking example tho those that would dare defy his leadership; sadly, letting Suarez live was not the best of choices Enrique could have made, for the treacherous man vowed to have vengeance on the leader of the guild, and what better way than by revealing the location of the guild to the guard and clergy.

Following Suarez information the Inquisition send an interrogator accompanied by two dozen men to raid the thieves' guild headquarters, said interrogator being none other than Antonio Gula, now a man of the cloth, as despite his sinful nature power and influence had earned him a spot in the catholic hierarchy. The soldiers sweep through the sewers in force, killing all the male thieves in their path and taking the women and children as prisoners to be hanged as a public show of the supremacy of the law and church.

Recognizing Antonio, Juanita tries to attack him before Enrique manages to stop her, a soldier cutting Maria's necklace off of Juanita's neck as Enrique pulls her back, Antonio having enough time to recognize the young thief's brilliant green eyes, eyes she inherited from Antonio's mother, eyes he recognized when seeing Juanita by her mother's side the first time around, realizing that there was no doubt who her father was.

Ordering the other thieves to cover his retreat, Enrique flees with Juanita into his personal chambers; completely unbeknownst to Suarez and the guards, Enrique's chamber held a secret, final, escape route hidden from all the members of the guild, the escape route he let others know of being a decoy. Having little time until the soldiers reached them and not actually willing to leave his people to die, Enrique sends the reluctant Juanita through the escape tunnel all on her own, her mother's necklace remaining behind to be found by Antonio.

"As above, so below"

Not soon after losing her family for a second time Juanita is back on the streets of Barcelona, wearing her hair cut short and pretending to be a boy she continues begging and stealing for a living, her mind filled with dreams of avenging Enrique's death, ignorant to the fact that the target of her ire was none other than her own father.

As luck would have it -or perhaps through the hand of fate- Juanita just happened to steal the pocket of the wrong person at the right time when she stole from one Cedric Alsen, a hermetic mystic from the British Isles hiding in Spain as a traveling merchant. Seeing the rage boiling behind the girl's brilliant eyes and seeing past her facade of masculinity, he asked her what could have awoken such rage in her soul; listening to her tale and becoming fascinated with her plight, history repeated itself yet again as another kind stranger took Juanita under his wing and over the next eight years she would become his apprentice, learning the basics of hermetic magic, philosophy, and alchemy.

One Thousand and One Nights - 1651 to 1750

Journey to the East - 1751 to 1862

The American Dream - 1863 to 1910

The Pulp Era - 1920 to 1939

The Golder Age - 1940 to 1945

The Cold War - 1950 to 1990

The Champions Era - 1980 Onwards

Thanks to her advanced age, Juanita is rather hard to shock, having seen and done many things that would horrify or disgust most people over the centuries and having grown jaded because of it. She is not emotionless, but when one has seen as many battlefields filled with blood and excrement covered corpses as she has, one tends to stop flinching when they see someone mutilated in a ditch.

Juanita is adamant and rigid in her views and ways, slow to change and adapt to the world around her advancing as fast as it does.

Due to her long life, she has seen many spunky artists, courageous heroes, struggling students, ambitious entrepreneurs, charming coquettes, bashful bookworms, and just about every other type of person you can imagine passing by; because of this, she has become quite difficult to impress, seeming even cynical at times. She has also learned long ago what she likes or doesn't in a person, leading to her being able to easily form an opinion on someone.

However, she is not unpleasant -unless you annoy or grate her-, in fact, she is quite friendly and a conversationalist; though the subjects of her conversations can become philosophical in nature at times, which tends to push away some people.

Despite being an accomplished heroine, Juanita's motivations remain a mistery.

Juanita is a skilled fighter, trained in a mix of martial arts centered around both unarmed combat and the use of swords. She is also an accomplished smith and artisan, capable of crafting anything from armor and weaponry to jewelry and decorations.

Juanita is also a powerful enchanter, alchemist, and thaumaturge -transformation magic, either of self, of others, or of objects, assuming animal forms, turning copper into gold, etc-, she also specializes in defensive and support magics.

Over the centuries she has encountered and absorbed the powers of many imaginal beings such as fae and demons. This has granted her several exotic powers and characteristics, such as increased endurance, elastic flesh, and the ability to manipulate ice.

An artifact of unknown origin and Juanita's trademark weapon, The Silver Sword consists of a forward-curved, single-edged silver blade measuring in at aprox. 2'6" and a carved ivory hilt shaped like a dragon's snarling head. Whilst not the strongest weapon in and of itself, the Sword has been seen penetrating past defenses both mundane and otherwise with ease, making it a very dangerous weapon against even armored foes.

Despite the name, the 'cloak' is actually a blue, hooded trenchcoat -Juanita's signature attire- enchanted with the effects of the spell known as The Tireless Wings of the Zephirim, the Zephirim being spirits who dwell in a dimension of clouds, winds, and storms.

Using much more powerful version of enchantments used in Wizard's Mail -a type of full plate armor once used by warrior-mages and other spellcasters who involved themselves in hand to hand Combat- Juanita's breastplate provides full body magical protection against most attacks, from the mundane to the mystical.

This amulet, usually made of silver and amber -Juanita's being made using Dominican blue amber-, heightens the wearer’s mental faculties. She becomes more observant, more insightful, and more intelligent. Additionally, the amulet provides protection against Sorcery and similar spells.

Created using enchantments normally applied to belts and girdles, these gauntlets date back to the Turakian era, although their exact origins still remain a mystery. All that is known is that they enhance the wearer's strength to be on par with that of giants.

This pair of fine, supple leather boots contains two enchantments. The first allows the wearer to leap much further than she ordinarily could; the second allows her to walk along walls and ceilings like an insect.

Juanita is also in the possession of various magical tomes of both the tame and forbidden kinds, most notably:

Acquired from the rather simple minded apprentice of a dark mystic, this dangerous book contains powerful research into and spells from the field of necromancy. The apprentice gave the book up without any real encouragement, quite happy to be rid of the accursed book.

Written by a persian mystic centuries ago, this book is filled with exotic theurgic spells that call upon the power of elysian beings, particularly that of the Azatas and Spentas of Zoroastrian myth.

A collection of mémoires written by the Chinese sorcerer Lui Quanqi, containing many oriental spells, studies on mystical creatures, alchemy recipes, and stories of Shamballah, its immortal monks, and of its dark sister-city, Agharti.

Juanita is rather versatile, able to change her spell loadout on a whim, she could easily fill any roll in combat from front line fighter or field healer to magical artillery or infiltrator; she is also a decent tactician and leader, though she really shouldn't be your first choice of squad leader. When not prepared for a specific scenario, she uses a mix loadout of defensive and offensive spells.

Unlike most modern mystics, Juanita still uses chants, motions, and foci for most of her spells, still following the traditions and rituals she was taught in her early days.

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  Moonlight Blues

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  Past Connections